The movement of Rebecca’s dance was translated into a tectonic sculpture based on parameters in a more chareographic scope, focusing on the movements of the dancer on the stage boundary. The interactions with the static elements, movement route and body height, as well as the movement interations with the ground are represented by metal beams and a wooden landscape.The sculpture could also be regarded as a space, a performance stage, from a series of reflection on how could we help Rebecca visualize and make a stage if she would plan a choreography which expresses constraints and difficulty to move.